Frank Skinner, whose new series, Don't Start, is 'a lesson in relationship ping-pong'. Photograph: Richard Saker for the Observer
Richard Bacon (5Live) | iPlayer
Don't Start (R4) | iPlayer
Lord Gnome Aged 49 and Three Quarters (R4) | iPlayer
PM (R4) | iPlayer
Woman's Hour (R4) | iPlayer
How strange it was listening to Richard Bacon interviewing Alan Partridge on Wednesday. I like Richard, but surely he's the closest thing to Partridge that 5 Live has? "Do you understand the format of a rhetorical question?" he asked Alan at one point, very Partridge-ly. Anyway, Alan revealed many things, including how he likes to relax (driving, listening to the "Very Very Best of Tears for Fears") and how he hates political correctness. "You can't even say boo to a goose," he pointed out. "You can't even say goose, you have to say… feathered dog." It was funny, of course.
Also funny, though in a too-close-for-comfort way, was Don't Start, a new 15-minute comi-tragi-drama series written by Frank Skinner. It's just a couple arguing. Well, not arguing, exactly, more squabbling and point-scoring. Last week's contretemps was triggered by Neil (Skinner) receiving a text that made him chuckle. The resulting shape-shifting, all-encompassing bickerthon between him and Kim (Katherine Parkinson) made me squirm and, eventually, laugh, simply through cumulative effect: all that petty triumphalism, the bashing to and fro of grievances large and tiny. It was a lesson in relationship ping-pong.
Lord Gnome Aged 49 and Three Quarters didn't make me laugh, though its subject, Private Eye, has on many occasions. This was a workmanlike documentary on the 50-year-old satirical publication, still laid out by hand as it's quicker to "rip out half the paper and start again". Which happens a lot: we heard the staff rejigging an entire issue in a few hours after the Murdochs' and Rebekah Brooks's parliamentary grilling over Hackgate. The Eye's front cover was the three of them with "Gotcha!" as the headline. The issue sold 253,000 copies: 47,000 more than usual, but any magazine that sells 206,000 every fortnight these days is a force to be reckoned with. But I did think that the presenter might have tried a follow-up question when he asked Ian Hislop whether he thought that Private Eye could be sexist (it can). "No, I don't think so" isn't good enough. Private Eye reporters would have gone in harder.
With the Tories and the Cat Flap™ and the recession all over the news, it was good to hear PM letting Robert Peston show a different side to his strangely mannered self. He gave a good account of why Bert Jansch, who died on Wednesday, was an important guitarist, and managed to make himself sound human. Which is hard when your natural radio voice is wrongly programmed humanoid, who keeps… pausing… andthenspeakingreallyquickly, as Peston often does. Interesting to hear, also, that he used to go and see bands such as Culture.
And finally, a short appeal. Could whoever programmes Woman's Hour have a rethink, please? It's becoming unlistenable. An interview with duller-than-the-average-actress Kirsten Dunst? A puff piece for the BBC's Mixed Britannia season? Cook the perfect choux pastry? And the drama… Argh! It's all too polite and too old-fashioned. Not every woman at home these days is a housewife. Jenni Murray and Jane Garvey are excellent journalists, but the subjects just aren't meaningful to many. The discussion of whether the Tories had lost their appeal to women (on Wednesday) was a classic example: informed guests, topical subject, but the resulting discussion was boring.
Woman's Hour does far better when it gets a subject and goes in deeper, as it did when it explored the idea of women being childless by choice. It needs more depth, stronger journalism and – please – some humour. Perhaps the producers should start listening to PM.
I heard Woman's hour on Friday and look forward to being home more often. A pertinent piece about Amanda Knox and misogyny and an interview with the Buffalo Girls. I was happy with it .
I did hear that one of the reasons for Robert Peston's strange enunciation of words, was that he might have a stammer. So whilst it is strange listening to him and as a personality on tv getting mocked for his character traits is part of the deal, it is a little unfair to make fun of his voice, if it is part of a genuine problem.
Just listened to the PM bit as I am a Jansch fan. Did Robert Peston inhale?
Thanks for your comment on Woman's Hour becoming unlistenable.
As a man who automatically switches to the WS or R3 after the 10.00 news, I was starting to question my liberal credentials and until I read your article, had assumed that my inner mysoginist was starting to assert itself - next stop TalkSport.
Relieved to hear that it's just cr@p for everyone.
Agreed re.Murray and Garvey - they are wasted on this nonsense.
joedoone
9 October 2011 10:01AM
What, exactly, is the nature of the relationship between Robert Peston and Eddie Mair? I've heard that they don't like each other all that much, and listening to them on PM this week was a weird experience.
Why is The Westminster Hour still called The Westminster Hour when it lasts 45 minutes and gives way to What The Papers Say?
Why did the end of The World At One on Friday consist of a plug for The Film Programme's interview with Woody Allen? It was a very good interview, but it's hardly news material, and could have easily been trailed after The World At One had finished. I'm used to The Six o'Clock News on BBC One plugging programmes, and Today often does it as well, but this was just odd.